Inspired: Olivia Pendergast

May 25th, 2010
Olivia Pendergast, another of Mondo Fine Art's talented artists, has been painting for over ten years, simply painting as a response to what she is experiencing in her life.  Olivia sites several artists who have inspired and influenced her paintings: Modigliani, Alice Neel, Egon Schiele, Jenny Saville, and Degas. Modigliani Amedeo Modigliani was an Italian artist who worked primarily in France as a figurative artist.  Modigliani became famous for his modern style with mask-like faces and elongated forms.  Olivia states that she was influenced by his "gentle, simple portraits of Humanity." Egon Schiele was a major figurative painter in the early 1900s.  Schiele's work uses an intensity in the twisted bodies and expressive lines that give his work an element of  Expressionism.  His bold use of line is one of the primary influences on Olivia. Olivia says "There is an unspeakable [...] feeling that arises when I see line being used in art.  It seems to try to define what cannot be defined, what could never be truly known." Jenny Saville is an English artist best known for her monumental images of women.  Olivia has been influenced by the way Saville has used weight in her images. Alice Neel was a famous American portrait artist.  Her paintings involved anyone from friends and family to other artists or even strangers.  Her work is known for expressionistic line and color, psychological insight and emotional intensity. "Truth about form and [the] grotesqueness of humanity" are the influential elements of Neel's work that Olivia sited. DegasOlivia expresses admiration for the use of composition and negative space in Degas' works. Edgar Degas was a French painter who was one of the primary founders of the Impressionist movement, though he rejected the term as it applied to his work.  Degas was a master at portraying movement, especially in his well known works of dancers. Besides artistic influences, Olivia is inspired by the people she paints.  She says "I paint whatever breaks my heart" - whether it is musicians, nature, children, or people she has met in her travels. Two years ago Olivia had the opportunity to spend four months in Malawi, Africa, with the "goal to paint" and to find inspiration in a new people and way of life. One of the highlights of her trip was a visit to the Amatofo Care Center, a Buddhist orphanage, where she spent time drawing and reading with the children. Olivia is still working on paintings of the Malawian people after returning from a second trip to Africa 13-Olivia_headshotearlier this year.  She has also recently returned from doing humanitarian work in Haiti, where she had the opportunity to work with the children. To view available works by Olivia, please visit her Mondo profile HERE.  We will be receiving new works from Olivia in the next month or so.  If you would like to be the first to view these new works, please enter your info on our contact page and click the box next to Olivia's name.

CAN Condensed

May 24th, 2010
Bad-Girls-Bahar-SabzevariThrough interviews with prominent Iranian female artists, Robert Adanto’s new documentary Pearls on the Ocean Floor examines the ways the younger generation of Iranians are forming a new cultural identity for their nation. The film reaches outside the cloistered and repressed stereotype of Islamic women, focusing instead on their compelling artistic responses to Iran’s continual national conflicts. For more information about the film, click here. • A new exhibition at Britain’s Tate St. Ives, Object: Gesture: Grid: St. Ives and the International Avant-Garde, features the largest body of Collection work shown at the museum in over ten years. The show concentrates on the emergence of Modernist art in the seaside artists’ colony at St. Ives following WWII, and the relationship of the American and European ideas and practices that emerged there. Visit the Tate website for more information. • The cities of New York and Turin are recognized as epicenters of Post-Minimalist sculpture in Forms of Contingency: New York and Turn 1960s-1970s, on view at the Philadelphia Museum of Art through September. Experimentation in forms of process and earth art, as well as the employment of non-art materials, characterize the conjunction of visual culture and object-making that developed in these two cities. Read more at e-flux. • Click here to read Peter Plagens’s entertaining account of his visit to Beijing to attend the conference “China Contemporary Art Forum 2010: What Happened to Art Criticism? Problems in Chinese and Western Art Criticism.” It seems the discussion diverted quickly from criticism to the censorship and control the state exercises upon China’s contemporary art scene, and included a Q&A “grilling” of a Chinese cultural official.

Modern Values

May 21st, 2010
LC self P 5If you haven't been to see our latest show, you still have an opportunity to see "Modern Values", featuring new works by Carlise and John Bell.  The show is currently hanging at Light Spot on 2927 South Highland Dr. in Salt Lake City. We had a small private opening on April 22nd with a panel discussion of all things modern as it applies to art, architecture, and design.  We were delighted to hear from our fabulous panel: Jill Dawsey, Chief Curator of the Utah Museum of Fine Arts; Prescott Muir of Prescott Muir Architecture and new Director of the School of Architecture at the University of Utah; and Walt Cowie, designer and owner of the Light Spot. If you did not receive an invitation to this event and would like to be invited to future P1000823shows/events, please sign up on our contact page and check which artists you are interested in and we'll make sure you are at our next event! The show will remain up through this weekend, and several pieces will stay up for the next couple weeks.  We encourage you to stop by Light Spot to see this fantastic show.  We'd like to thank Light Spot for graciously hosting us in their beautiful showroom.  It was the perfect venue for the show! To see works online click HERE for Carlisle and HERE for John Bell. P1000844P1000850P1000826P1000827P1000842P1000852

C.A.N. Condensed

May 20th, 2010
• A theft at the Museum of Modern Art in Paris was revealed early Thursday morning, having occurred overnight on Wednesday. A single masked individual stole five paintings, collectively valued at $123 million – a Picasso, Matisse, Braque, Modigliani, and a Leger. Click here for the full story. obit-ARAKAWA2-articleInline • Japanese-born designer and conceptual artist Arakawa died at 73 on Tuesday in Manhattan. Along with his wife Madeline Gins, Arakawa explored a philosophy he called Reversible Destiny, which questioned the definitive nature of mortality, through painting, poetry, and most recently, architecture. Check out nytimes.com for information on his oeuvre and some critical remembrances. • The Sydney Biennale, “The Beauty of Distance: Songs of Survival in a Precarious Age,” places focus on the experiences of the indigenous and historically marginalized peoples from all over the world, forming a coherent, if thematically diverse exhibition. “The aim of this biennale,” says artistic director David Elliott, “is to bring work from diverse cultures together…on the equal playing field of contemporary art.” Find out more about the work, the artists, and the venues here. • 1274286987image_web The Vancouver Art Gallery has mounted an exhibition of work by video artist Fiona Tan, centered on a commissioned film installation entitled Rise and Fall. This will be the first chance American audiences have had to view Tan’s recent work. Based in Amsterdam, Tan’s work has been shown at the Venice Biennale, the Rijksmuseum, and the Centre Pompidou. Read more at e-flux.com. • The $64,000 Artes Mundi Prize for contemporary art was awarded on Wednesday to Israeli Yael Bartana. Bartana’s video, photographic, and installation works often focus on the political situations in her home country, and is the fourth artist to receive the prize. See more at artforum.com.

C.A.N. Condensed

May 19th, 2010
  • Rabih MroueBAK, basis actuele voor kunst presents, Rabih Mroue, a Lebanese theater director, actor, playwright and visual artist.  Mroue's work mixes "methods and cultural cannons, by complicating the distinctions between fiction and reality, and by blending past "facts" with speculation about the current moment."  The show starts this weekend and runs through August 1, 2010.  Read about the exhibit on E-Flux.com
  • The Fondazione Nicola Trussardi in Italy presents Pig Island by Paul McCarthy.  The installation is a"contemporary Raft of the Medusa... [a] carnivalesque amusement park in which human beings behave like pigs."  The exhibit also includes some of  McCarthy's works from 1970 to the present.  Read more here
  • "Modern does not equal radical."  Jonathan Jones of Guardian.co.uk writes of his experience with the Tate Modern's birthday celebration.  For his critique click here.  Waldemar Januszcsak of TimesOnline.co.uk also comments about the Tate's talent with audience participation.  But is it good?  Check it out here
  • Sharon Butler, a writer, blogger, academic and artist, created a TV channel on Vimeo dedicated to art.  Two Coats of Paint is up and running, and Butler has encouraged "painters to make videos about their process/practice and submit them."  Read about it here
  • "Duchamp originalA urinal is a urinal is a urinal."  HyperAllergic.com's Hrag Vartanian writes about Marcell Duchamps Fountainand its many imitations.  Read more on HyperAllergic.com
  • The Tate St Ives will exhibit the colorful, almost child-like work of Dutch artist Lily van der Stokker.  Van der Stokker's work "plays on stereotypical femininity, engaging with the legacies of Feminism, and exploring ideas that seem to be forbidden in art, especially decorative" art.  Check it out on ArtKnowledgeNews.com

C.A.N. Condensed

May 17th, 2010
  • Museu d'art Contemporani de Barcelona presents With a Probability of Being Seen through October 12, 2010.  The exhibition is centered around Konrad Fischer, the artist, gallerist, collector and curator, and allows the museum to study the "social, political and economic forces that shape artistic production and its effect upon a broad international community."  Read more about the exhibit on E-Flux.com.
  • The Oakland Museum of California has always worked to engage the public, but now with a renovation the museum is rethinking its strategy for public interaction.  Read up on NYTimes.com.
  • Starting May 22, 2010 the Museum Boijmans Van Beuningen presents work by three contemporary artists: Atelier van Lieshout, Olafur Eliasson, and Thomas Demand.  The exhibit includes over 25 photographs and installation pieces that include the former Submarine Wharf.  Check it out here.
  • Spring art auctions have come to an end and prices are up over the last few years.  Sales nearly tripled last year's total, but some artists barely participated.  The Wall Street Journal reports who's up and who's down in the art market.
  • Tanguy.CalderL&M Arts will exhibit Alexander Calder and Yves Tanguy together in Between Surrealism and Abstraction.  Calder and Tanguy have been friends and neighbors, but this is the first time their works have been combined in a significant show.  Although different in style, both artists have used biomorphism in their work, adding an element of compatibility.  Read more about the show and the artists on NYTimes.com.
  • Centro Galego de Arte Contemporanea presents In Search of the Miraculous, works by Bas Jan Ader, May 28-September 5, 2010.  Ader was part of the first generation of conceptual artists in Los Angeles during the 1970s.  The show brings together works from when Ader set out by boat to "challenge nature and its ultimate consequences."  His boat was found partly submerged months later at a fishing grounds.  Learn more here.

C.A.N. Condensed

May 14th, 2010
  • Momo indoorsNew York street artist Momo has taken his work off the street and into the private art spectrum.  Momo is known for large paper pieces typically found on or near construction site scaffolding with large flat wooden surfaces to put up his works, but he began working with locals in Key West, Florida to create his works inside their homes.  In an interview he said "I wanted to try one kind of art work against a changing context."  Check it out on HyperAllergic.com.
  • Noveau Musee National de Monaco presents Training for a Museum (TM) a collective work by the museum's team aiming at "explaining to the general audience and local public what a national museum is and its relationship towards and through contemporary life."  Director Marie Claude Beaud laid down a program for Art and Performance and Art and Territory that have lead to TM.  Read more about the exhibits at E-Flux.com.
  • The Frieze Art Fair announced British/Japanese artist Simon Fujiwara as winner of the 2010 Cartier Award.  The Cartier Award is widely acknowledged as one of the world's leading art awards and forms an exciting and visible element of a commitment to the commissioning and display of contemporary art.  More here.
  • Antony GormleyOne of Antony Gormley's most famous works, Critical Mass, is being displayed on the De La Warr Pavilion.  The exhibition includes 60 bronze sculptures cast from Gormley's body in different positions and runs through August 31, 2010.  Read more on ArtKnowledgeNews.com.
  • HyperAllergic.com will stream William Powhida's event How to Survive the Art World Using the Art of Sorcery live tonight.  For more click here.
  • The New York Times reports that Postwar and Contemporary Art have finally become "fully integrated into the broader art market."  This month has seen a massive influx of sales at Christie's for Contemporary Art.  Read more on NYTimes.com.
  • The Tate Modern has started to expand its collection by obtaining contemporary art from countries such as Algeria or Iran.  The museum acquired 13 new pieces for its permanent collection.  Read more on the guardian.co.uk.
  • The biennial of contemporary art in Africa, Dak'Art, has opened.  A co-founder of the event, Florence Alexis said "Africa is not artistically marginalized because it’s economically fragile."  Read more on ArtForum.com.
  • On Saturday May 29, 2010 the Dertien Hectare opens its exhibition The Woods That See and Hear.  The exhibition responds to the immediate surroundings of dertien hectare, in the southern Netherlands, an area that has "gone through significant social, economic and ecological changes in recent decades."  The exhibit aims to bring awareness of our relationship with the land we occupy.  For more on the exhibit visit E-Flux.com.

Inspired: Lane Bennion

May 13th, 2010
Lane BennionToday we're highlighting another Mondo artist, Lane Bennion.  Lane is a phenomenal artist who enjoys "finding beauty or poetry in the most mundane of objects, situations or scenes."  His work typically portrays the mannequins or merchandise in a storefront. Some artists who have influenced Lane's work include Edward Hopper, Wayne Thiebaud, Paul Davis, David Dornan, and Doug Braithwaite.  Each of these artists have influenced Lane's paintings and subject matter.  Lane says David Dornan "challenged me to find poetry in the most mundane objects and scenes.  [He is] one of the most inspiring people I know." Other artists that Lane likes vary in style and subject matter including Andy Warhol, Roy Lichtenstein, Francis Bacon, John Singer Sargent, Richard Diebenkorn, Odd Nerdrum, and Gustave Dore. A New HopeLane says that he also loves artwork from classic space age and sci-fi magazines in the 1950s and 60s or scenes from Warner Brothers cartoons in the 1940s and 50s.  He sites a number of films and film makers: Classic Star Trek (and only Classic), Star Wars: A New Hope, Alice in Wonderland, animated shorts from 1970s Sesame Street (click here to view), and filmmakers David Lynch and Stanley Kubrick "How do these influences bring me to paint Store Fronts?  I don't really know.  I seem to like to study strange and fantastic things so I guess I find these stores strange and fantastic." Click HERE to see some of Lane Bennion's paintings.

C.A.N. Condensed

May 12th, 2010
  • Artist Kate Gilmore presents a sculptural and performance based piece, Walk the Walk,  in Bryant Park in New York.  A group of women clad in simple yellow dresses will act out their "work" by walking, shuffling, stomping or marching on the roof of an eight foot structure.  Viewers are encouraged to walk through the piece, which then becomes an audio piece.  Check it out here.
  • A sale at Christie's breaks another record.  One of Jasper John's "Flag" paintings that belonged to writer Michael Crichton sold for $28.6 million.  This is the highest paid for a John painting at Christie's.  Read more on NYTimes.com.
  • Swedish artist Lars Vilks was physically assaulted at a university during a lecture about the limits of artistic freedom.  Vilks has received numerous threats over his controversial drawing of the Prophet Muhammad with a dog’s body.  The Associated Press reports here.
  • Pompidou arts centre in Metz The Pompidou arts centre opened a new branch in Metz.  The space will be devoted to 20th and 21st century art, but has  no permanent collection of its own.  The branch at Metz will show, in six-month or yearly rotations, parts of the vast collection of 65,000 contemporary works held by the Pompidou in Paris.  Read more here, or check out the pictures Guardian.co.uk.
  • A UPS truck crashed into the Hirshhorn Museum and Sculpture Garden Monday night.  No one was present and no art was damaged.  Read more in the Washington Post.
  • The MoMA in New York presents Art Institutions and Feminist Politics Now as part of the MoMA Talks series on May 21, 2010.  Learn more about this event here.

Literal Cubism: John Bell

May 11th, 2010
LC self P 2 With this new body of work, artist John Bell is expanding on the three noted forms or phases of cubism: English art historian Douglas Cooper describes three phases of Cubism in his seminal book, The Cubist Epoch. According to Cooper there was "Early Cubism", (from 1906 to 1908) when the movement was initially developed in the studios of Picasso and Braque; the second phase being called "High Cubism", (from 1909 to 1914) during which time Juan Gris emerged as an important exponent; and finally Cooper referred to "Late Cubism" (from 1914 to 1921) as the last phase of Cubism as a radical avant-garde movement. In cubist artworks, objects are broken up, analyzed, and re-assembled in an abstracted form—instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Often the surfaces intersect at seemingly random angles, removing a coherent sense of depth. The background and object planes interpenetrate one another to create the shallow ambiguous space, one of cubism's distinct characteristics. With the use of photography & individual plastic cubes, Bell brings cubism into the new millennium making it not only three LC self P detaildimensional, but also playing within the time continuum, giving us 360 degree views of a subject at various times & places in their lives. "You get to see the subject aging & see different sides to their personalities" says Bell. "The photos in the first piece (self portrait, 2010) were taken months apart & at different locations. As time allows, I plan to photograph people over the course of months & years to ad greater depth to the work. It's very interesting to me to see the subtle changes in someone over time & how different we appear in the multiple rolls we play in our daily lives. At work, at home, at play, indoors & out, each situation effects use in many ways. Mood, what we wear, if we cut our LC self P 5hair, shaved, lost or gained weight, what has changed: divorce, jobs, children, etc... The boxes themselves are a metaphor for the compartmentalization of self, how we see ourselves & how society perceives us". The works also appear as kinetic light sculptures. The boxes themselves play with & refract the changing light due to the nature of the surfaces injection molded manufacturing process. Bell also layers each level with sheets of colored Plexiglas which gives the work different moods depending on the changing light. “They’re fairly moody works” says Bell, “a lot like us”. Featured piece: Literal Cubism - Self Portrait* photos in acrylic cubes (4" x 4" x 2" each) 18wx36hx14d *This piece was created for our most recent show "Modern Values", featuring works by John Bell and Carlisle and is currently on display (until May 22nd) at Light Spot, located on 2927 South Highland Drive, Salt Lake City, UT. For more information on John Bell and to see all available works, click HERE

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